According to Cristiano Chariot, director of the ensemble La Fenice, Venetian opera needs a change of pace. To survive, it should adopt lucrative, audience-oriented strategies, which may mean, for example, prioritizing opera buffa, which is most popular with tourists.
Article : http://www.economist.com/blogs/prospero/2015/03/opera-venice
Source : The Economist
Date : 24/03/15
